This painting combines the pictorial vocabulary of Cubism with the dynamism of Futurism and is usually considered one of the finest examples of Russian Cubo-Futurist painting. Our pages contain various quotes with which our editorial team does not always agree. On view, 3rd floor, Modern and Contemporary Art and Design. See also: Venetian School, Psychogeography, Paint loss, Systems art, Situationist Russian painter and designer Lyubov Sergeyevna Popova (1889-1924) grew up, near Moscow, with a strong interest in ancient Russianicons, the paintings of Giotto, and Italian Renaissance visual treasures.įigure \(\PageIndex\): Kasimir Malevich, Reservist of the First Division, 1914, oil, collage, and thermometer on canvas, 21 1/8" x 17 5/8" (MoMA). The term surfaced in 1912, at a point when the Russian avant-garde were exposed simultaneously to Analytical Cubism and Italian Futurism. Lyubov Sergeyevna Popova - the first female pioneers in Cubo-Futurism (Kubo-Futurizm) was a term used by the early 20th-century Russian avant-garde to describe literary and artistic works that represented a fusion of Cubist and Futurist styles and principles. Indeed, both Futurism and Cubism influenced the emergence of Suprematism in Russia. The Knifegrinder: Modern Black Framed Art Print by Kazimir Malevich Artist: Kazimir Malevich Title: The Knifegrinder Style: Cubo-Futurism Genre: Genre. With its fractured reality and repeated forms like looking at the subject through a kaleidoscope the work is a blend of Cubist and Futurist influences, and as such is considered one of the first and finest examples of Russian. Īt that time, the artist was still under heavy influence of Cubo-Futurism, which was the main school of painting and sculpture practiced by the Russian Futurists. This painting, called The Knife Grinder or Principle of Glittering, was a crucial step on Malevich’s journey. Term first used in 1913 in a lecture, later published, by the Russian art critic Korney Chukovsky (1882-1969) in reference to a group of Russian avant-garde poets whose work was seen to relate to French Cubism and Italian Futurism. Media in category 'Cubo-Futurist paintings' The following 13 files are in this category, out of 13 total. The movement's followers included Cubo-Futurist sculptors included Joseph Chaikov, Boris Korolev and Vera Mukhina, all of whom taught at the Soviet state art school in Moscow, Vkhutemas. Kazimir Malevich, The Knife Grinder (Principle of Glittering), 1913, oil on canvas, 79.5 x 79.5 cm, Yale University Art Gallery. Kazimir Malevich developed the style, which can be seen in his The Knife Grinder (signed 1912, painted 1913), though he later abandoned it for Suprematism. The Knife Grinder, a 1912-13 cubo-futurist painting by Russian artist Kazimir Malevich, is from a series called New and Improved Modernist Masterworks.
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